Pickering Collection

About 440 books published by William Pickering between 1820 and 1854 including reprints of classics and seventeenth-century Anglican religious works, plus contemporary writers of his time.

Key items in the collection

The Pickering Collection comprises about 440 titles (650 volumes) published by William Pickering between 1820 and 1854. They include 152 books that were not seen by Geoffrey Keynes when he compiled William Pickering: A Memoir and a Handlist of his Editions (1924).

The following titles illustrate the range of the Pickering Collection:

The collection also has strong holdings of some of the series published by Pickering:

  • Aldine Poets (50 vols, 1830–53)
  • Christian Classics (17 vols, 1847–53)
  • Diamond Classics (30 vols, 1821–31)
  • Small books on great subjects (23 vols, 1845–52)

The set of the Aldine Poets is almost complete; in his bibliography Keynes identified 53 volumes.

About William Pickering

William Pickering (1796–1854) was apprenticed to a London bookseller and publisher in 1810. In 1820 he set up his own bookshop, specialising in the antiquarian trade, and immediately started publishing. His first major project was the miniature Diamond Classics, comprising reprints of Latin, Italian, Greek and English literature. They were followed by the Oxford English Classics and new editions of Edmund Spenser, John Milton, Francis Bacon and William Shakespeare. In 1828 he met Charles Whittingham, who was to be his chief printer, and in the same year he adopted the dolphin and anchor device used by the Venetian printer Aldus Manutius (1449–1515). In 1830 he began publishing the Aldine Edition of British poets.

As well as reprints of classics, Pickering published modern writers such as S.T. Coleridge, Jeremy Bentham, Thomas Malthus, Coventry Patmore and Edward Fitzgerald. He had a strong attachment to the Anglican Church and published editions of seventeenth-century divines and The Book of Common Prayer (1844). He also published journals, such as the Gentleman’s Magazine and the Church of England Quarterly Review. His poor business practices eventually led to bankruptcy and he was forced to sell his stock shortly before his death.

Quintus Horatius Flaccus, which Pickering published in 1820, was one of the first English books to be issued with a binding of dyed cotton cloth with a printed label on the spine. The Poetical Fragments of Richard Baxter (1821) was bound in the same way and he followed the practice throughout his career. Although imitated by other publishers, the smooth red, magenta, puce or dark blue cloth used by Pickering remained the distinguishing mark of his books.

The Pickering Collection held in the Library was assembled by Harold S. Lindfield of Worcester Park, Surrey. He was a bookseller, but the Pickering Collection was part of his personal collection.

The collection adds significantly to the Library's holdings in English and classical literature and, because of innovations Pickering introduced in typography, format and binding, will be of value to those scholars interested in book production.

Background to the collection

The Pickering Collection was purchased from the London fine art and library agents, Stevens and Brown, in 1961.

The Pickering Collection is kept together as a formed collection within the Rare Books Collection. It is located at RB 655.142 PIC. The books have been catalogued individually. Catalogue cards for the 152 books in the collection that were not listed in Keynes’ handlist have been photocopied and bound. The volume is held at N 016.655442 P596K.

This guide was prepared using these references:

Page published: 19 Jul 2011

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