Papers including letters, newspaper cuttings, published caricatures, original cartoons, letters and literary manuscripts, mostly related to Australian and New Zealander writers, journalists, composers and artists.

An album with 20 watercolours and 22 individual watercolours by Joseph Lycett. Most of the pieces focus on studies of Aboriginal people and drawings of native plants.

145 original works of Conrad Martens, consisting of four oil paintings, 91 watercolours, and 51 sepia wash, pencil and wash, or pencil drawings, plus a number of his lithographs

About 5000 books, pamphlets, reprints and journals published 1760-1940 in English, French, German, Italian and Russian. They relate to all aspects of ornithology in all parts of the world, with a special focus on Australian birds.

About 350 titles and a total of about 3000 issues of comics published between 1940 and 1960. Most are Australian publications, although many are reprints of US or British publications.

Oral history interviews with prominent Australian women.

About 5,000 books, pamphlets and periodicals, over 11,000 paintings, drawings and prints, around 800 maps and over 300 manuscripts mostly published 1770–1900. Largely relating to Australia, New Zealand and the Pacific including Antarctica.

See some of the many talented bird artists from the 19th and 20th centuries in our collection.

About 350 photographs, including glass negatives, and a small number of pencil sketches, majority depicting paddle steamers sailing or moored on the Murray or Darling rivers.

Ten signed stencil prints by Pablo Picasso. 54 sketchbooks of John Power, a small group of personal papers of Power, and 262 books relating to art and architecture.

Explore the Prout Collection, featuring 2 oil paintings, 41 watercolours, and 38 pencil and wash drawings by John Skinner Prout, created between 1841 and 1848. This collection showcases stunning Tasmanian landscapes, including scenes of Hobart, Mount Wellington, and Port Arthur, alongside views of New South Wales and Victoria. Prout, a self-trained artist who emigrated to Australia in 1840, captured the essence of the Australian landscape, leaving a lasting influence on colonial art.

Kate’s research focused on the role of popular magazines in Australian art history and arts communication in the 1950s and 1960s.