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The Dutch Golden Age in six paintings

ArtsNational Canberra and Mariska Beekenkamp-Wladimiroff present a lecture focusing on the Dutch Golden Age, using six paintings to explore the art, cities, landscapes and society of 17th century Netherlands.

The craft of historical fiction

The Friends of the Library delved into the craft of historical fiction writing with authors Alison Goodman and Sue Williams.

The craft of crime: In conversation with Sulari Gentill & Chris Hammer

The Friends of the National Library presented two of Australia’s preeminent crime writers in conversation with crime fiction reviewer Anna Steele.

The Bookbreaker of New York: A ripping yarn

The Bibliographical Society of Australia and New Zealand (BSANZ) conference keynote talk from Michael Visontay about Gabriel Wells, a New York bookseller who committed a crime against history.

The Australian Dream? with Tim Ross

Tim Ross discussed the telling images he uncovered from public libraries that reveal a multi-decade story of Australian homes and home ownership.

*2nd event added due to popular demand*

The Australian Dream? with Tim Ross

Tim Ross discussed the telling images he uncovered from public libraries that reveal a multi-decade story of Australian homes and home ownership.

The audiobook's evolution from the analog era to AI

Does listening count as reading? Should narrators perform? Can audiobooks do more than imitate printed ones? This event explored the evolution of the audiobook from analog to AI.

The artwork and handwritten journals of the first fleeters

ArtsNational Canberra and Paul Brunton OAM present a lecture focusing on the eyewitness accounts of the voyage to Sydney during the First Fleet of 1787 - 1788.

The art of state ceremonial music

ArtsNational Canberra and Graham Jones present a lecture exploring how the military plans and delivers the United Kingdom’s greatest ceremonial events, from state visits to national commemorations.

The 'archival imagination' of Frank Moorhouse

Dr Matthew Lamb presents his recent Fellowship research on Frank Moorhouse’s ‘archival imagination’, exploring how his methods shaped his work and identity. 

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