Module

This resource is aligned to the Australian Curriculum: Design and Technologies standards for Year 5 and 6.

Topic

Sievers’ work is a pictorial timeline showing Australia’s social, technological and industrial transformation.

Topic

Modernism was a cultural movement that influenced visual arts, architecture, music, literature and design in the first half of the twentieth century.

Module

This resource is aligned to the Australian Curriculum: History for Year 8 students. It adopts an inquiry learning approach that develops students’ skills in investigating the Medieval Europe and the early modern world sub-strand. 

Topic

Throughout human history, societies have grown, matured, and then collapsed, making way for new innovations, people and philosophies to begin the cycle again, building on what came before. The history of Medieval Europe is no different: it has its roots in the collapse of the western Roman Empire in 456 CE.

Topic

Following the collapse of the western Roman Empire, Europe entered a period of cultural, political and economic change. The stabilising force of the Roman Empire gave way and new states and rulers stepped in to fill gaps.

Topic

For most of human history beyond living memory, the main way we know what life was like during the Medieval period is from documentary evidence that remains available to us.

Topic

As time progressed, the number of people who could read did begin to increase, as some countries began to increase the emphasis on educating their people to basic levels.

Topic

Since ancient times, most documents were written by hand. If multiple copies were needed, it would mean making multiple handwritten copies; even with a team of scribes, this was time consuming. It also meant that information could be difficult to read, depending how good a scribe’s handwriting was.

Module

This resource is aligned with the Australian Curriculum: Visual Arts for Year 9 and 10 students. It adopts an inquiry approach to develop students’ skills as art historians.

Topic

The Picturesque Atlas of Australasia and its principal Sydney-based artists - Julian Ashton, A. Henry Fullwood and Frank Mahony - transformed the way settler colonial Australia was seen both here and around the world.

Topic

The publication of the Picturesque Atlas was situated within a ‘golden age’ of illustration: the great global explosion of mass-produced images that occurred between 1850 and 1900 with the rise of the illustrated press.